Jade Wright of the Liverpool Echo wrote this article about Burt’s Aug. 3, 2014, performance at the Liverpool Empire Theatre.
After three standing ovations Burt was finally allowed to leave the stage, but not before a voice shouted from the crowd “when are you coming back again?” He laughed as he responded “I wish it was tomorrow.”
To read the article in its entirety, visit LiverpoolEcho.co.uk.
Thanks to my friend Armando for the link to this fan video of Burt and band performing in Lyons, France, earlier this week at les Nuits de Fourviere.
As Burt prepares to kick off his summer tour of Europe, I just received word of a new U.S. date has arrived. Burt will perform at the Long Center for the Performing Arts in Austin, Texas, on Sunday, Nov. 23.
Burt has added two dates to his already busy European tour this summer.
On July 20, he’ll perform in Venice, Italy, at the Theatre la Fenice and on Aug. 5, he’ll perform a second show at Bridgewater Hall in Manchester, England. That show is in addition to his previously announced performance there on Aug. 1.
As always, for the latest list of concerts I have, visit the On Tour page.
In what is probably old news to many of his fans there, Burt has officially announced a number of concert dates this summer in Italy. On July 16, he’ll perform as part of the Ravello Festival in breathtakingly beautiful Ravello, Italy, and on July 18, he’ll be at the Festival del Vittoriale in Brescia, Italy.
As always, for the most up-to-date list of upcoming concerts I’ve got, visit the On Tour page.
Noise11.com has more details on the new musical Burt and Elvis Costello are working on based on their 1998 record Painted From Memory.
The songs I am working on with Burt Bacharach are not being prepared for recording. Initially they are being prepared for performance on stage and for a musical. The production will have to reach a certain degree of success before we would think about an original cast record where we would represent at on record. That might not even more as automatic as it used to be because as you know the business of making records has changed quite a lot. Before every little thing was recorded. Now, not so much.
To hear the full interview, visit Noise11.com.
There’s a brief article on Burt in the March 24 issue of New York magazine, but yesterday Vulture ran the extended version, with Burt talking to interviewer Rebecca Milzoff about his Brill Building days.
Hal and I wrote some very terrible songs early on. There was a song called “Underneath the Overpass,” and another called “Peggy’s in the Pantry.” Very bad songs. There were a lot of turndowns in that period. Bob Hilliard and I had written a song, it might have been “Take Me to Your Ladder,” and we went over to play it for a publisher named Goldie Goldmark. He let us make a demo. We went to see him maybe two months later, when he’d had a chance to show the song, and Goldie said, “No good. Nobody wants it.” Bob Hilliard was very funny. He said, “Goldie, lie to me! Just tell me somebody likes it.” “No, nobody likes the song.”
To read the article in its entirety, visit Vulture.com.
Just got word that Burt has added an appearance at les Nuits de Fourvière in Lyon, France, to his already busy summer tour schedule. The multidisciplinary arts festival takes place each summer in Lyon’s open-air Roman amphitheater. Burt will perform at the festival on July 14 at the Grand Theatre, which at 4,400 seats is the larger of the festival’s two stages. Opening the show is the Divine Comedy, a British band whose sound owes a significant debt to Burt’s innovations. Tickets for the show are available now via the festival’s website.